“Through travel, I seek influences, cultural centers, energies, new terrain and the power of both the spoken and unspoken.”– Alonzo Davis
“The allure of creating is finding places that I do not already know.”– Chee Keong Kung
Vulcan Gallery, Workhouse Center for the Arts, 9518 Workhouse Way, Lorton, VA, 22079
Open Latitudes: Mixed Media Works by Alonzo Davis and Chee Keong Kungpresents the work of two contemporary artists who share a commonality rooted in exploration, discovery and improvisation. The use of geometric forms, gestural mark-making, the exploration of the tension between 2 and 3D, natural and man-made materials as well as working in series are integral to both artists’ studio practices.
An enticing aspect of travel is leaving the familiar behind and experiencing a new place. Upon returning home, what was once familiar is somehow transformed through new eyes. Through their travels—literal and metaphorical–Davis and Kung have absorbed deep multi-cultural influences that have informed and enriched their work and processes. In the details and precision of their work, there is an expansiveness that extends beyond geographical and cultural boundaries to encompass the broader world.
What I reflect on with regards to climate change is my own naiveté. I began reading about the subject and meeting environmental activists over 30 years ago. My spouse equivalent now husband was working as an environmental activist and introduced me to a number of “big brain” activists who were sounding the alarm. I was naive because I never thought that the planet would be where it is today.
Extreme weather, the loss of ecosystems, the loss of beloved species.
It’s all here. It’s all now.
Sally Kauffman’s paintings can be viewed as beautiful works of art. You can enjoy them solely on the basis of her skill as a painter. I see them as a memorial that may lead to increased awareness of the level of loss. The hope is that awareness leads to action.
Sally’s show at Workhouse Center for the Arts continues through June 11th in the McquireWoods Gallery – W16.
I encourage a visit to the exhibit. Please reach out at firstname.lastname@example.org with questions.
Score explores 20 years of the work of Virginia based mixed media artist, Joan Dreyer. While developing her MFA thesis at Tyler School of Art in Philadelphia, PA, Joan began taking tools, techniques and imagery that have been historically considered “women’s work” and transforming them into innovative, contemporary art that is responsive to the tone and tensions of our times. Created by combining fiber techniques with unexpected materials like X-rays, her work is a subtle art that asks questions about life, loss, symbolism and the impact of war instead of providing one size fits all answers . The artist’s work provides a space for the contemplationof life stages that we all encounter. The result is a body of work that allows for meaningful but also multiple interpretations by the viewer.
For more information about exhibits at the Workhouse Arts Center or artwork purchase inquiries, contact Audrey Miller email@example.com. Follow Workhouse Arts Center on Instagram at @workhousearts, on Facebook at https://www.facebook.com/WorkhouseArts and Twitter at @Workhouse_Arts. The Workhouse Arts Center is open to the public Wednesdays – Saturdays from 11 am to 6 pm, and Sundays from noon to 5 pm. Free public parking is available. A map of campus can be found online here.
Workhouse Arts Center Announces New Art Exhibition Opening
Irreplaceable: Paintings by Sally Kauffman
Curated by Mary Welch Higgins
March 25 – June 11, 2023
Second Saturday Exhibition Reception, April 8, 2023, 4 – 6 PM
Lorton, VA – ( March 2023) The Workhouse Arts Center announces the opening of the new exhibition, Irreplaceable: Paintings by Sally Kauffman. The exhibition is on view from March 25 through June 11, 2023, in the Workhouse’s McGuireWoods Gallery (W-16). There is a public exhibition reception Saturday, April 8, 2023, 4 – 6 PM.
Irreplaceable is an exhibit of abstract yet allusory paintings by DC area artist, Sally Kauffman. Kauffman works in series and is known for paintings depicting groups of people engaged in communal activities. In her most recent series, she turns her eye to the plight of endangered and extinct species. Her high contrast color palettes and adventurous brushwork are reminiscent of the abstract expressionistic movement of the 20th Century. Yet her goal to increase awareness of the species represented in her work calls to mind Romanticism, a late 18th century artistic and intellectual movement that promoted the power of the creativity and the arts to raise awareness and thus transform circumstance.
By memorializing the energy, diversity and beauty of birds and butterflies in flight, cats, turtles and fish, she honors their place in our ecosystem while drawing attention to their plight. She recognizes that some viewers may simply enjoy the beauty of the paintings and animals represented. There may be others that do not notice the plastic bags and ropes entangling the turtles that are painted to represent just one of the ways that humankind’s actions have impacted the endangered animals. Finally, others may enjoy the paintings and decide to dive deeper to discover that these extraordinary creatures are threatened or already extinct. Kauffman’s paintings remind us that art has the power to raise awareness and create change.
Adjoa J. Burrowes’s work, “Run Down and Run Over” was selected for the juried group exhibition “Made In Virginia 2022” at the Virginia Museum of Contemporary Art where she won second prize for Best in Show. She was also asked to contribute tools and process materials to the museum’s educational Art Lab. Congratulations to Adjoa and to all the participating artists from the state of Virginia!
Installations shots by Echard Wheeler, Courtesy of Virginia Moca
The Ostinato and Coda Series by Fiber and Conceptual Artist Sarah J. Hull Exhibition Dates: July 5, 2022 through August 15, 2022
Exhibit Reception and Artist Talk: Saturday July 30, 2022, 2-4PM
Distinct Studios Fine Art is pleased to present Sarah J. Hull’s Ostinato and Coda series in the Small House Gallery of Goodwin House in Alexandria, Virginia in July and August of 2022.
Sarah has a background in architecture, science and visual art. She received her BA in Architecture from Wesllesley College with pertinent course work at M.I.T. Her varied background informs her work including her explorations of music.
In her art, she explores the rhythmic variation in our daily lives. Using natural fibers and hand embroidery stitches, each work explores it’s “objectness” with the tension created between hand-stitched materials and the structure of the underlying grid. The resulting work creates a mediative presence.
In her process, she begins with a concept that has has inspired her. She then follows that idea in a series of works that create an iteration of the theme. The Ostinato series demonstrates this process elegantly. In music, an Ostinato is a short melodic phrase repeated throughout a composition, sometimes slightly varied. A rhythmic Ostinato is a short, constantly repeated rhythmic pattern. In the Ostinato series by Sarah, she uses the concept of repetition with slight variation to create fiber based works that hold their own as single works but displayed together form a visual melody.
Sarah currently lives and works in Washington DC. She is active in the art community through the District of Columbia Art Center (DCAC),
nationally through the New York based National Association of Women Artists (NAWA), and internationally through the UK based Society for Embroidered Work (S.E.W.). Currently, she is enrolled in the Royal School of Needlework’s Certificate & Diploma program and was a member of the 2019 – 2020 DCAC Sparkplug cohort. Most recently, she successfully presented an independent solo exhibition of her most recent series The Topologicals at Studio 1469 in Washington DC and was one of the artists in Distinct Studios first group exhibition in 2022, Before, During, After at Episcopal High School in Alexandria, Virgina.
Artist talk: May 12, 2022 6:30pm (in person and live stream)
Closing Reception: May 22, 2022 10:30am – 12:30am (bagels and coffee)
Sarah J. Hull proudly presents her solo exhibition at Studio 1469, Taxonomy of Evanescence.Featuring works primarily from two of her recent series, this exhibition considers the mechanics of awareness and memory and how they interact not only with each other, but also with time and space. These themes converge in the thoughtful meditations on the traces of existence that remain and those that fade. Fading, just as energy fields that extend towards a point where its amplitude decreases.
Memories overlap and merge over time. In these works, fabric, threads and paint are layered one upon another to not only create directional movement within the structure of the main geometric elements, but also create forms that gently emerge and recede from the surface and the viewer. Each piece takes on an organic quality creating a dialogue between the materials, “the hand,” and the underlying grid through the use of natural fibers and hand embroidery. The underlying grid provides the groundwork where basic forms are mirrored, disrupted, and subjected to rotational symmetries and inversions. In some works, only faint remnants of the grid remains.
Speaking about her work, she says: “Just as I watch a piece unfold as it is created, I hope that each piece manifests slowly to the viewer, increasingly revealing its hand-worked existence.This temporal experience of introspection, inquiry, reflection, and pleasure connects me with the work and the viewer. I hope the intimacy of each piece sparks internal contemplation in the viewer as art of a more complex and responsive experience – just as with an individual’s interaction and connections within the fabric of community and society.”
The naturally occurring rhythmic repetition and variation present in nature, described by science and mathematics and echoed in daily personal existence provides the foundational inspiration for the work. Each piece is at once a meditation on personal exploration, the interconnectedness of individuals, and the greater forces of life itself.
You can learn more about Sarah and her work by visiting her Distinct Studios artist’s page.
I’ve learned that some times the best opportunities come when you least expect them. The opportunity to collaborate with Angie Newman Johnson Gallery on an exhibition as Distinct Studios LLC came after a year of unexpected personal twists and turns that made the experience of starting up an arts consultancy challenging. We could not have asked for a better experience right out of the gate. It was a rewarding experience to curate this exhibition for the community of EHS and also for the arts community at large. Thank you to Elizabeth Vorlicek and the team at the Ainslie Arts Center of Episcopal High School and all of the exhibiting artists. Thank you as well to everyone that came out on a rainy evening in February for the in-person opening. We appreciate you! Below is a link to the exhibition page and a gallery of photos from the opening reception and the exhibition. Stay tuned!